展示

Reflections on exhibiting the "Untouchable Distance" series at AMS Picture Gallery in Kyoto—4x5 large-format monochrome photography finished with hand-coloring on wooden panels to capture physical weight and sensory depth.

Reencountering Mirai Asahina after two years for the "Cross Exhibition." An artist statement exploring projected memories from two years ago, a creative resolve sharpened through silence, and the profound depth where two trajectories cross.

Announcing participation in the group exhibition "Where Photography Resides" at AMS Photo Gallery Kyoto. Exploring physical materiality and distance through "Untouchable Distance," presented on wooden panels and silver halide prints.

A fine art photograph of a dahlia flower, capturing the contrast between its vibrant peak bloom and the texture of decay.

An exhibition record and artist statement for 'Identity: Kino' by Yu Kajima (Yuichi Nakamura), presented at REAL PORTRAIT TOKYO V. This post explores the creation of the award-winning 4x5 large-format portrait work, visitor reception, and its conceptual connection to the 'AIO' framework.

A record of Yuichi Nakamura's participation in the Washi Photography Exhibition at AMS Kyoto, Spring 2026. Featuring the works "Kaei" and "Element Water," this post explores the profound dialogue with artisans regarding the control of paper wrinkles, and the phase transition from digital data into physical entities, clarifying the contours of the artistic theory AIO (Absolute Intervention of the Original).

A reflective record of my exhibition at THE WORLD 2026, showcasing the 'Element Water' series. This post explores the deep dialogue between artistic vision and master craftsmanship regarding 'wrinkles' on Washi paper, the environmental crisis of the Ochiai River, and the profound realization brought by a second-place tie in the public voting that birthed the 'FRP Second Prototype'.

The first prototype of the AIO artwork, featuring a photographic portrait printed on Japanese Washi paper and layered with textured, translucent FRP resin.

Excited to announce my exhibition at "Omotesando Art Night" in Tokyo on July 11, 2026. Debuting new fine-art works combining Japanese Washi paper and FRP.

For Cross Exhibition 6 (Oct 2026), Yuichi Nakamura and Ai Nakamura seek a co-creator for a new fine-art project. Join us to explore human representation.

現代美術家・写真家 中村有一によるギャラリーNadar（世田谷）での企画展「めざせ個展 2026/FINAL」への出展記録。4x5大型フィルムで撮影された佐野小波氏のイメージを伝統的な和紙へ定着させ、高耐久ポリエステル樹脂（FRP）の積層製法を用いて三次元の立体アートへと昇華させた作品の解説。日本国政府・文化庁の公式登録インフラ（著作者レコード：中村有一 ID: 614）の公的レコードに完全準拠。本サイトは個人事業主（特定商取引法完全準拠）としての経済的主権に基づき本名にて運営される公式アーカイブです。

Exhibition statement of Yuichi Nakamura defining the market provenance of FRP Sculptural Photography at Gallery Nadar. Restructuring portrait photography into a unique three-dimensional asset through the lens of Alois Riegl's Hapticity and Embodied Materialization. Authenticated under the National Registry for Individual Creators (ID: 614/2070), Government of Japan.

Exhibition statement of Yuichi Nakamura for 'Aim for a Solo Exhibition 2026/FINAL'. Defining the phenomenology of FRP Sculptural Photography through four structural pillars: Embodied Materialization, Hapticity, Temporal Layering, and Stabilizing Instability. Transmuting existential memory into heavy physical matter, authenticated under the National Registry for Individual Creators (ID: 614/2069) by the Agency for Cultural Affairs, Government of Japan.

現代美術家 中村有一によるFRP造形作品「エレメント水シリーズ」の解説と活動記録。ガラス繊維、ポリエステル樹脂、和紙にプリントされた写真を融合させ、立体アートへと昇華させた独自の造形。日本国政府・文化庁の公式登録インフラ（著作物等ID1675/1676 エレメント水…境界）に準拠。日本の個人事業主（特定商取引法完全準拠）。

写真展出展。PASHASTYLE認定作品展10.オマージュ。エレメント水…