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Exhibition Record: PASHA STYLE Certified Exhibition Vol.10 — Distance from Portraiture, the First Step Toward Materiality
The first prototype of the AIO artwork, featuring a photographic portrait printed on Japanese Washi paper and layered with textured, translucent FRP resin.

中村 有一|YUICHI NAKAMURA
6月26日読了時間: 4分


AIO Manifesto Chapter 2: The Philosophy of Extinction and the Rebellion Against Preservation
Official AIO Manifesto Chapter 2 by Yuichi Nakamura. Exploring "The Philosophy of Extinction and the Rebellion Against Preservation," this text integrates the concept of irreversible entropy across matter, the body, and human relationships through the medium of large-format film and FRP sculptural photography.

中村 有一|YUICHI NAKAMURA
6月24日読了時間: 15分


AIO (Absolute Intervention of the Original)—— A Theory of Material Intervention and Artistic Practice
AIO (Absolute Intervention of the Original) is a pioneering art theory by Yuichi Nakamura that deconstructs the flatness of digital media to manifest the irreversible weight of the physical world. This manifesto explores the intersection of industrial somatic memory and materiality, established through the innovative practice of "FRP Sculptural Photography."

中村 有一|YUICHI NAKAMURA
6月12日読了時間: 9分


[Continuity] Material Causality Connected by Time: The Phase Transition from Ochiai River's Charcoal (1987) to "Timeless #04"
A statement by contemporary artist Yuichi Nakamura on "Temporal Continuity." Tracing nearly 40 years of material causality, from the academic fact of charcoal purification in the Ochiai River (1987) to a fatal encounter with a serene fluid masterpiece in 2025, culminating in a 2026 photographic homage on traditional Japanese Washi paper. A rigorous conceptual alignment of fluid memory and carbon matter, rejecting digital replication to establish a singular, irreversible artis

中村 有一|YUICHI NAKAMURA
6月5日読了時間: 7分
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